Music has always been my compass. Long before I knew how to shape a mix or layer synths, I was scribbling lyrics in notebooks, strumming chords that barely made sense, chasing the feeling of something real. I started in the raw storytelling world of folk and rock—where emotion leads and imperfection has its own kind of rhythm.

In 2017, everything shifted. I dove into the world of production, drawn to the limitless landscapes of electronic music. That same year, I began experimenting with house and future bass, chasing sounds that could make the body move the same way lyrics stirred the heart. I enrolled in Thomas Anthony’s Music Mentoring program, where I refined my skills in music production and audio engineering.
 

At the same time, I stepped behind the scenes, working as a live audio engineer for four years. That hands-on experience—crafting mixes in real time and reading the energy of a room, taught me how sound lives and breathes off the stage.
 

In 2024, I found myself pulled in a new direction. After discovering RÜFÜS DU SOL, I felt something click. Their album Inhale/Exhale opened a door for me, blending deep emotion with danceable grooves in a way that felt like home. That’s when I began writing in the indie dance space—where cinematic textures meet pulse and movement.

​

Beyond my own artist work, I’ve also composed for both feature and short films, bringing stories to life through sound. Whether I’m writing a track for the dance floor or a score for the screen, I’m always chasing the same thing: a feeling you can’t quite explain, but know in your bones.